Her’s one ambigram design I thought would aptly help usher in a positive new year.
When I first started the draft for this post, what formed was a short essay on my fascination with time, as it is portrayed in sci-fi series of my youth, peppered in with dashes of trivial sci-facts and musings on concepts like its apparent entanglement with space. I was trying to find ways to lay some ground work to link it with steampunk and time travel that would eventually be unraveled in some future post featuring some connective ambigram themes, but I had to put it off a while as I thought this month’s featured design feels so much removed from the essay – or the other way around.
And then some recent not-so-spectacular event prodded me to go off on a tangent. This new composition I thought was more appro… relevant to the ambigram than the older draft. I have embedded below the recent post from my personal Facebook account from a week back recounting what led to my resolving not just the essay problem but how I was to present the final ambigram as well, if you so care to read up about it. It’s a couple of lines below… somewhere.
The past, the present and the future.
The proper Filipino terminologies of these words are nakaraan (past), kasalukuyan (present) and hinaharap (future). And while the words kahapon, ngayon and bukas could be substituted to convey the same concept, but with more urgency as they are more commonly used vernacular, they respectively translate literally to yesterday, today and tomorrow.
The first to be created of this three-part ambigram was Ngayon. This was in October, last year. I don’t exactly remember what led me to try out the word but what I do remember is immediately recognizing that basing the lettering on Avante Garde or Futura lends to very legibly formed glyphs. Ngayon was a naturally ambigrammable word, and it was created straight up vector with ease. As a side-note: you pronounce the “Ng” (the 16th letter of the Filipino alphabet) of Ngayon as you would the initial “ng” of bringing.
Feeling kinda smug about it, I decided to take on Kahapon and Bukas seeing if I could turn it into a symbiotogram. It.laid.me.wasted. I got totally ahead of myself with a 3-tier stacked word art with Ngayon smack center. The more I forced the issue the more the glyphs became convoluted and illegible. Turns out though that, individually, Kahapon and Bukas could be designed into chains quite nicely. I decided to go old school Blackletter with Kahapon starting off with the “o” as the link, then based the glyphs of Bukas from Bahaus – which kind of have this utilitarian simplicity feel to it – a common futurist theme, working it out from the “S” as the link.
Okay, I could have left it at that. Usually, when doing a circular chain ambigram I would just export the final vector .png file over to Photoshop then apply the Polar Coordinates filter and use whatever was produced on my final presentation. Of late, however, I had been taking an extra step. Some might say. could be achieved, probably far quicker and more efficiently when approached with or through some other means. Anyway, I import the outcome back to CorelDraw, my usual vector editor, and recreate a second iteration based on the newly filtered graphic, which at this point is – by all accounts a raster graphic. This way I’d have a crisp editable vector file of the chain now laid out in a circular pattern. I did this for both Kahapon and Bukas. It’s tedious and probably time consuming but not unnecessary as the practice is well worth it.
Still wanting to stack one word over another to – this time – simulate progression (in time), I decided to fashion them layered as a single piece. I really was – am – happy with the final outcome and I had it set like that, ready for posting intended for this month. With this blog’s 50th issue published last month (December) and out of the way at last, I started experimenting with the finished ambigram in my free time by laying it over different photographic images to see how it’d fare if such a requisite arise.
I went through a series of images from my personal archive and commercial stock. Some were okay but others were trying hard. The one above is from a series of silver lining photographs I had recently taken. Pairing the ambigram with this one seemed appropriate enough, but once I did, it looked dreary and frankly lends nothing to the ambigram and rendered the very image useless and unrecognizable. So I decided to forgo with the idea or at least set it aside and procrastinate until I really had to go through with it. It was after all almost just a whim on my part, as the composite ambigram design seems to be doing just fine by itself.
This one could be used as a steampunk clock face.
Until, a couple of Fridays back…
Okay, technically I could have just re-written or copy-pasted the texts here. But there were two reasons for me embedding the link here and presenting it as such. First (and likely the real reason) was I wanted to see if it would work! Embedding the link, I mean. On the previous post I had successfully embedded a video from my Youtube channel, and this time I wanted to try it out with some other social media platform. And there you go. Second was I wanted to show the image that inspired me – ‘though that really was a non-reason as I can just as easily, and independently, insert the image into the post. Sorry, but not really.
The final piece.
Laying the ambigram over the panorama was done in under a minute. While created at different moments and for different reasons, both elements it seems fit and complemented each other and I liked it a lot. Level completed, Ability unlocked, +1 Life added… press X to resume. It could just be bias, or you know fluffing my own feathers, but to me this final piece became more… poetic, as I currently grasp for a more fitting adjective. As to why – I can’t yet put in words and who cares, right now that is all that matter, to me at least.
And that my friends, was the first post of the year and the 51st, thanks to all who hung around and kept an eye out for this issue. Here’s hoping for a productive year, everybody. Now I’m going to have this printed large fomat and mounted in a wall in my house… just need to find that wall first.
#suliktad #ambigram #danadonajr #imagefoundry
I initially wanted this to be a “How To Make…” write up. But with what I had learned starting from the first time I tried my hand out at ambigramming straight through when I had decided to dedicate this blog mostly to my personal exploration of the artform, was that while – just as with other discipline – ambigramming could be taught, I wondered how will I be able to make a step by step instructional presentation when ambigrams can be created through a number of different methods. So I decided to focus on one, my method. But the thing is – my methodology may only make sense to me and maybe even more difficult to put in words.
After multiple rewrites on the content (wrote the first draft 24 May 2015) – and title changes – I opted to forgo with the instructional format as the tone, voice and language sounded a bit of a put on (and another version that seemed to be a long winded anecdote) and settled with the idea of just flat out sharing my creative process.Personally, I don’t think I am anywhere near the point where I could impose with authority the way I do things anyway.
49 published posts (two were non-ambigram related), over a hundred ambigram designs, 24,373 words as of last count, hundreds of unsorted stack of scrap paper, over 1TB disk space and 4 years later, it all remains to be just a bunch of jumbled up mental post it notes – a mishmash of pointers I remind myself, plus some actual written stuff at the back of virtually every sketch or some notebook to remind me how I came up with certain solutions or what inspired me to do the piece and tips I picked up from other designers and a couple of orphan .doc files. This for the record is my attempt (fourth, actually) to put them all together in one place.
*** sidetrack ***
Yup! 50 posts. And while I never really set out to find readers and followers for this blog (as I just needed a regular outlet and a place to put up my work on so I can force myself to not procrastinate too much), I have managed to get a few likes, a re-blog and 30+ followers with only one of them I personally know, not to forget some very nice people who became clients! I know, 30something in an era where a hundred followers is considered lame, yet for me having even just one person mildly interested enough in what I do already is a biggie!
So, as a gesture of appreciation to everyone kind enough to have followed, liked and all that stuff, AND whoever else stumbled upon this inconsequential parcel of web space, whether intentionally searching for the topic or not, I present a hopefully helpful insight – of which I do not impose on anyone – how I do ambigrams.
First, a couple of caveats…
- I believe there is no right or wrong way to make an ambigram. Whatever works work.
- This is not a “How-to” guide, it’s more of a peek in to my process -pointers I check myself with while I draw my ambigrams.
- The list of tips below are just that – tips. They are not commandments to live by. My process may or may not work with anyone else’s. You may think that my notes here are all bull and that’s fine, go with what you feel will work for you and you’re free to cherry pick.
- Ambigrams, I think, are just the same as optical illusions, or as Neil deGrasse Tyson put it: ‘brain failures’. In concert with the eyes – our complex but somewhat flawed primary organ for observation, our brain is easily tricked by patterns, lines, shapes and forms when seemingly arranged in such a way that titillate our own biases and preconception. Also our brain has evolved to recognize and pick out patterns (especially faces) even and especially in a clutter or among “background noise” the way our precursors saw the zodiac patterns in the night sky, or the faces on toasted bread or sides of a mold laden wall. Therefore, our objective is to try and trick the brain, or exploit that shortcoming, into recognizing a word where that very word was formed not necessarily with its “proper” parts. Where characters and glyphs are setup trying to convince the brain into thinking it is what it appears to be.
- Most of these tips assume that you do intend to push through with this artform and willing go and actually get your hand wet with it. Because like in any discipline you need to work on it, learn as much as you can about it, and dedicate time to honing the craft. A person just don’t go applying a “Y” incision on anybody without first going to med school expecting things to turn out just fine or pick a fight with Conor McGregor on a whim without going through some form of training. Talent can only take you so much.
- It also assumes that we are aiming to craft a proper ambigram. Not even a perfect one, but a proper one.
- Not all words are ambigram friendly.
A Somewhat In Order Unordered List
There are no rules in ambigram making. Well, sort of.
So long as it’s legible, it’s all good. However, a really successful ambigram (as intimated by those better at this than I am) is one that even with all the manipulations applied to it, follows basic typographical fundamentals.
Keep the letterform consistent.
As with making a poster (or most printed materials) try not to mix up types and fonts. It gets too busy and taxing to the reader. Another characteristic of a good ambigram is that it does not seem to be a specially lettered word until after you rotate or flip it. If you began with a Sans Serif type then there shouldn’t be a Blackletter glyph in there unless of course the ‘concept’ calls for it.
While it is mainly aesthetics I try to keep all forms fairly similar, I try my best not to mix my “double storey a” with “single storey a” on a piece unless there really is no way around it. I have a similar problem with placing caps between lower cases but sometimes you just have to roll with it.
Keep the letterform consistent II.
Or define the ambigram’s personality. This comes in the later stages, usually as I finalize (mostly done digitally) the piece. I take on the most prominent letter and work on it first. It does not need to be the first letter, but the letter that will appear most frequently (especially with Filipino words: the letter A appears with great frequency in Filipino words). Once that letter has been interpreted to my satisfaction, I use its parts in building up the other letters employing as much (or little) modification necessary. This help ease in the reader with the word as they do not need to decipher each letter, since, as seen on the figure below, certain letters appear somewhat similar to its previous incarnate. Similarly looking parts and ligatures lend a consistent personality to the ambigram – as if it was set to a very specific type, the way one would apply a font selection to a regularly typed word on a word processor or a graphic design program.
Which leads us to… typography.
A little background knowledge on lettering basics IS a big plus.
Back in college I passed LETTERING 101 and 102 by the skin of my Speedball C-tip. I was not an exceptional calligrapher nor letterer, I was average to say the least but I had this knack of retaining useless information that works just as well with useful ones. I am not bookish but I read a lot and pay attention to things I know I should know even after college. Printing is a big part of my profession so I tried to be as much informed as I could in the early days, and typography has got a lot to do with printing. What I had learned then(well mostly), added to my design studio and freelance experience has provided me adequate practical understanding of the basics of typography.
So, empower yourself, know the basics, read up on it, learn the difference between types and spacing… and kerning, and width… and the parts of a type… etc. Like me, you need not be a John Hancock but you have got to be able to know a bit of it since you are basically making word art.
With that I offer a link to a downloadable type cheat sheet that I made for myself at the bottom of the post, with no obligation on your part. It focuses mostly on the anatomy of type – could be helpful in identifying or discerning which part of the type you’re supposed to be manipulating in the construction process of your ambigram. And whodathunk that types have parts and classification, amarite? At the very least it could be useless trivial fodder at boring parties, but you are free to keep it for yourself or share or pass it around if you so wish.
Research. Explore. Exploit.
This is an integral part of any creative undertaking. When I do logos, poster works, album covers and even when preparing for a meal I already know how to make, I do my homework. And this goes also with ambigram designing. Study the word you intend to work on. Include in your study word association and etymology, not just the meaning of it. Better understanding of the word will greatly help you in interpreting and setting it to appropriate type.
If you go over my ambigram work you’ll probably notice that I mostly incorporate or design them around a theme. Call it Conceptual Ambigram… or don’t. Anyway, with the research I had done for the ambigram itself, I am able to plan out an even bigger idea than I started out with. And if done correctly, would inevitable make the ambigram more well rounded. Of course not all ambigrams need to be this elaborately designed as a good ambigram can, should and will stand on its own merit. But I feel it should also be flexible enough to be incorporated with an even bigger concept and play well with its environment and not only exist in the vacuum of negative space. (Negative space, hehehe… get it..? vacuum..? space..? typography joke..? lame? ah well)
But before you jump into doing convoluted pieces…
Take up simple words first…
Take it easy. Start tackling simple word problems first, and after you’ve got the hang of it, it’ll be easier finding solutions to more complex word combinations after having gone through with the easy stuff.
… then interpret it in mono weight letterform…
The simpler the better. Besides, having created your ambigram in mono weight first, you now have the foundation you can build upon should you decide to stylize the piece.
…then try doing it in Blackletter.
Like it or not Blackletter is THE welcome mat for beginners. I found that it has the flexibility needed to “coax” a glyph, or at least a part of it, to form the letter you need. Blackletters, usually, are created with parallel vertical parts that you can easily re-purpose for the flip. What type can afford you the bowl or stress of an “o” to turn into a stem of say… an “r”? Yup, Blackletter, while being an old-timey font is probably the most flexible and ambigram friendly type classification.
Spell the word out…
And then below it- spell it backwards. With my early works, this was a system I devised so that I could actually see which letter correlates with which when flipped. I have not done this for a while now because I had become increasingly familiar with letter correlation and seeing which combination works best, but I do go back to it when the word I’m doing require very complex combinations, especially with chain ambigrams. This system, though, has its limitations, as sometimes a letter with two legs will match-up with a single stemmed letter thus prompting you to “borrow” from the next which kind of messes up the match-up. However, for beginners this could very well be a useful step as you try to manage your way through your own system.
Use less of flourishes…(gasp)
I am the biggest transgressor of this. I did not realize I enjoyed putting too much flourishes on my earlier works (now, I only sparingly sprinkle them around as crossbars). While these are great runaround solution, too much of it tends to be distracting.
The ambigram above was both my debut piece and first foray to competitive ambigram making, bagged 2nd place I believe. Ooh, look at them lovely flourishes! Remember kids: do as I say, not as I do… hehehe
For coupled words and phrases, layering them may be a more effective solution than having them on the same plane. Only be wary to not overlap or overcrowd where it’d be too busy to read. Sometimes this too work on single words where a ligature could overlay itself on top of the next glyph to act as part of the corresponding overturned letter. Choosing to do this, however, you may have to flex a lot more creative muscles than you’d normally use with mono-weight and monotone ambigrams but the reward could be very satisfying having made the ambigram more dynamic.
Layering a medium “Bang” over a heavier “Big” and a couple of larger iterations somewhat created a gradually expanding radial motion suggesting an explosive origin of sort. And while “Bang” was on top, you are still prompted to say “Big Bang” because “Big” is more imposing (and probably familiarity with the phrase helps a lot too).
Approach it as you would any puzzle.
Not only is ambigram an optical illusion, it’s also a puzzle to be solved. And as you would with any puzzle, you first look at all the parts available to you and recognize which would act as the linchpin or the keystone or a cipher that could thread through or hold together or break the code to help you set things in motion. How do you do that? (Un)fortunately, through multiple failures.
ACTUAL TIP –> Make each glyph slightly elongated or taller.
The brain can recognize (most of the time) the top half of a letter at a glance. Familiarity will get you halfway through recognizing the word. Remember, we are hardwired to recognize and pick out patterns. Try covering the lower half part of the ambigram below, and see if you can make out the word.
By the way, this is the world premiere of this ambigram. And after a painstakingly long time debating with myself what to call it, I have finally decided to name this one “theory”. Its proximity to the Big Bang ambigram was purely coincidental.
Keep on sketching…
When developing a piece, explore every possibility. Try different combinations, letterforms and ambigram types. Sketch away… use the back of misprints and discarded reports from ten years ago… save a tree.
Keep a pen handy (better if with a notebook) wherever you go, you’ll never know when the muses shall visit you next. The idea for the piece below came to me while I was stuck in traffic with no pen and paper around and I had to consciously block everything else out until I got home, so I wouldn’t forget. You can check out the final ambigram by clicking >>> this link <<<.
While not necessary, learn a graphic design program.
You can create great ambigrams by hand, so you don’t actually have to. Computer programs just get things done a lot faster, not necessarily better. But wouldn’t it be nice to have that know-how in your arsenal, ready to be pulled out when needed? So if you do decide to try your hand on a software, invest on a vector based program.
Use an existing font… as a jump off platform.
While it’s easy and novel using a readily available font and work it to form an ambigram, more often than not the final product appears to be forced and awkward. Believe me, I used to edit fonts straight away. It’s a great exercise, I can attest to that, but there seem to be no pleasure (at least to me) gained from it. Now, I usually try and approximate the general characteristic of a certain font but still work the ambigram from scratch. The ambigrams below were based off Serpentine.
Take advantage of all the glyphs available.
You don’t stop with just the letters, no, you have at your disposal every numeral, symbol, punctuation and diacritical mark! Use them if necessary. Best example I can give you is my most favorite piece, PASKO! Take notice of the last two glyphs, the “O” and the “!”, as they were kerned tight enough to form the “P” when overturned. Of course, I had to adjust all the other letter spaces to even them out.
Hey! It seems that while this piece has appeared in Nikita Prokhorov’s Ambigrams Revealed and other places, this is the first time it has graced this blog!
Ask for advice.
A lot of people have been doing this a lot longer than you’d imagined. And the people that I know who have and still are, are so generous with their feedback and advise. Look for and try going on forums or join a community. I belong to an FB group called Fellow Ambigrammists.
Check out other ambigrammists work, and wallow in sorrow with the realization that you’re too stupid to have not thought of or done that piece first! You’re never going to be as good as them! (That last line was a self-deprecating sarcasm, just in case it went whooosh! by you.) But really, you don’t have to be as good as anybody, you just have to find your voice, your style, your niche. So, learn from their work… digest… take inspiration from them… interact with them… ask questions… then incorporate whatever you’ve learned from all these with your next attempt.
Show your work and take a hit.
Not every “ambigram” you make will be appreciated the way you thought it’d be and get an A+ grade or raving reviews. Take note: just because you can “read” the ambigram doesn’t mean others will be able to. Sometimes the best comments you can get are those that ask “What does it say?” or “This so and so letter seems weak.” or “Can’t read it.” And that is just fine. What could come after that is an intelligent discourse on better approach to specific faults in the piece and all these new information will provide you new and different perspectives that’ll challenge you in to coming up with more creative ways to tackling the next iteration or an entirely new piece.
Much as it feels good to get a “like” when I post on the Fellow page, my actual intention is to get relevant feedback that could bring attention to possible flaws that I might have missed due to my own biases. I try as much not to prime the members with captions obviously to test the ambigram’s legibility. That is why I even put up Filipino ambigrams, or as I call them Suliktad, for the same reason.
If at first you don’t succeed…
Try the word out on a different ambigram type. Aside from the usual rotational, you could try it as a chain, reflective, perceptual shift or a symbiotogram. Yes, there are other types of ambigram you can exploit. Go for it, just remember each type operates on slightly different principles.
If that don’t work as well… do not be fixated on a single word/phrase/name.
Be open to the possibility that the word/phrase you are trying to create is a non-ambigram friendly word, maybe it’s just not doable. Find a more suitable synonym or another form of the word. There are plenty of words that I have been working on and have just recently cracked and there are even more that I haven’t. Or…
Just, Walk away… Renee…
When you’re at your wits end, walk away. Go read a book, binge watch The Night Of, listen to Tina Fey’s Bossypants audiobook, immerse yourself in the discography of MC Miker G and DJ Sven, climb a mountain, ford a stream, follow a rainbow, take up line dancing, do gardening, repair that leaky faucet you promised your wife you’d do or work on other materials and designs. Put it out of your mind. Then after a spell, come back to it with hopefully fresher eyes. You might realize that you are just being stubbornly myopic and looking for a solution to the wrong problem.
Forget everything I said…
After churning out designs after another based on your methodology, things start getting… familiar. And familiarity keeps you blind and numb to creeping faults in your system. You tend to be complacent and dependent on it because it works for you, you’re accustomed to it. So, once in a while, go against your gut. Move out of your comfort zone. This might or might not deliver a pleasant looking piece, but it’s beneficial either way in the sense that it’ll keep you in check, on your toes, and not rest on your laurels. Shake things up. Challenge yourself.
If it is truly necessary for creating ambigrams to have a rule, even just one… then definitely, an ambigram needs to be legible. A really successful ambigram can be read easily even if you are not familiar with the word or its meaning.
There you have it, my ambigram making process. Winding it down, let me add this one “WHY” to the list. Why I do ambigrams.
The “Yes!” simultaneous with a fist pump moment.
Or simply put- the Eureka! or Aha! moment.
This is probably the biggest driving force for me, something that I thought was lacking in my attempts with other discipline and artform. I tried Visual Arts in my college days, it’s not for me. Experimented with photography and then video production, which I both enjoyed very much and still take on from time to time, but it wasn’t my calling.
Easily, over 75% of my ambigram solutions were followed immediately after with fist pump gestures. In fact, to me, ambigramming provide twice the gratification. First, this rush that happens midway through the process after having solved the puzzle. And second, as I contemplate on a finalized version of the ambigram. There’s this feeling of satisfaction and completeness I get after cracking the code and finding a solution to the problem at hand, and then looking at the final piece. Not better than sex – as nothing is, but relatively close.
And now we’ve come to a not-so-real-time account of me doing an ambigram.
First, apologies for the camera work. As you’d soon find out it’s not easy shooting yourself (with a phone) as you draw. The camera tends to wander off the subject as I zoned in on sketching, and at times the pencil would just hover about as I shift my focus on the phone to see if I have it all still in frame. Also, there was supposed to be an annotative track over the video but the recording was awful and I sounded nervous so I took it out. Maybe on my next attempt. The video was sped up enough so we can still follow the process without getting a headache because at normal speed it seemed to be just dragging on. Am sure no academy award will find its way to my mantle with this stuff.
The Oprah moment we’ve all been waiting for… Freebie!!!
Finally as promised here is the >>> link to my cheat sheet <<<. Enjoy!
Hmm… nice way to celebrate my 50th post, 4th year with WordPress and end 2016 with. Hopefully you could all check back in for issues 51 and 52 for an ambitious multi-layered rotational and chain combo suliktad and journey back to the Ambiverse. Maraming Salamat, po!!!
#suliktad #danadonajr #imagefoundry
Could not really find time to write a full essay for this suliktad as I had been busy with my workload for the past weeks. And the coming weeks will prove to be just as crammed (although I have a full week of Eid Al Adha vacation) as I fortunately landed a couple of design jobs that’ll need my full attention.
I made two ambigram versions of the word KAYUMANGGI. While fairly similar in construction, the first one is sort of a script/brush type rendering of the ambigram and the second iteration is more of a serif type. These two, however, are recent versions- a remake if you will… after a thoughtful “autocritique” on the merits of the earlier version’s form.
Kayumanggi is a word that both refer to the Malay skin tone and to the Filipino as a race. However, the use of the Spanish moreno in the vernacular in reference to our skin color elevated the word kayumanggi to a regal descriptive word for the Filipino ethnicity.
So, I proudly celebrate the Filipino (with its faults, flaws, misgivings and imperfections) with the suliktad, Kayumanggi.
I’m just going to come out and say that although it was not the song – nor the movie – that inspired me to create this ambigram, it, however, kept on playing non-stop in my mind all the while I was in the process. And I will bet John Parr’s voice is taking up space inside your head and between your ears right now as you read these first few lines.
I don’t blame you.
From a monotype sketch comes this fully digital vector. And while I was adamant on anchoring the chain on the “S” I was pleasantly surprised at how the dot on the “St.” abbreviation flipped over to be an apostrophe. As a whole my only concern with this is if the overturned “t” will be too much of an eyesore as it basically has nothing to do there but hang. But really looking at it (especially the full chain version) I thought it did not stick out too much like a sore thumb as I really had to look for that over turned glyph. And I thought to myself that if I even had to look for it, then it probably would not take much away from the whole picture.
I don’t really have much of an essay to write here as this is one of those spur of the moment ideas… I suddenly thought of it (a couple of months back) and somehow managed to finalize the artwork in about two days. Unlike my other ambigrams that I could go on with stories of wracking my brain to find a solution and finding little time to vectorize it- I am happy with this one, this was essentially an easy one for me.
Unfortunately though I could not think of a less obvious title for this post.
I can see the new horizon underneath the blazin’ sky
I’ll be where the eagle’s flying higher and higher...
While I like the television series very much, I do not consider myself that big of a Game of Thrones fan or A Song of Fire and Ice for that matter, having yet to read any of the books, but I know enough to get me through the mythologies and politics per season – I think. Up until season 3, I mixed up who’s who, mistakenly renamed and mispronounced a lot of the places and characters in the show – except probably the main ones and Hodor, I always get Hodor right.
Going through Youtube season 6 trailer reactions a couple of weeks back, I began scribbling what I thought to be an easy flip – Lannister. From a simple monotype sketch, I began constructing from previously created Blackletter characters on my PC the first iteration of the ambigram, which was finished just as soon as started with it.
After that, came Stark, which was also easy. I would have left it at that if – I thought – Baratheon turns out to be a hard flip using the same glyphs. But it wasn’t that bad… so I pushed on.
Main concerns that I had to think around with were making enough distinction between capital and lowercase T and the varying nuances of the Ls and the Rs with respect to their correlating flips. As much as possible I don’t like mixing up caps and lows but with Baratheon I had to let it slide, because using a lowercase r will force me to use a lowercase T with the crossbar at the center or a lower case T glyph with crossbars at both end, which to me did not look good either way.
At the last minute I changed up the e/a flip of Lannister as well as the a/r combo of Stark to retain a streamlined face where all the characters look fairly the same throughout the set of ambigrams. All in all I thought the hardest one to pull off was the u/ll flip of Tully, but I thought I made enough compromise to make it work within the “constraints” I set in place.
And with that I present my Game of Thrones ambigram set.
And lastly… you may find it interesting that the last piece created (and I had thought of making) was this Game of Thrones ambigram, below, seemingly counter intuitive since it’s the show’s title and would make a great capper. With most of the characters and glyphs done it was a fairly quick edit. The main puzzle to be solved were center characters but largely what to do with the capital T. Incorporating the fleur de lis was a clever (or at least I thought it was clever) solution which wouldn’t be too much out of place since it’s found in the other pieces that kind of ties it all nicely together.
According to Philippine urban legends, it is around Semana Santa (holy week) when the power of talismans (or agimat or anting-anting) manifests itself fully. Especially on Good Friday.
When I was young, I hear of tales told of men and women largely from the Southern Tagalog provinces, testing (or showing off) their talismans, which by the way is pronounced talis-man as opposed to the western tal-is-man, in what could be described as a grand fiesta or parade.After an oracion – a prayer spoken in “Latin” – was made, usually around 3pm, to a revered piece of rustic coin-sized smelted metal engraved or cast with either pagan symbol or Catholic imagery, that is either folded inside a similarly venerated cloth or worn around the neck tied to a crude leather twine as a jewelry, the test begin. Since my Latin is limited to those I learned in Biology, I cannot attest to the veracity of any Latin prayer in the stories, ‘tho I think that it’s mostly broken Castellano. Sporting a big grin, participants would hack themselves with a recently sharpened bolo (or any similarly fashioned exhibition) showing the bewildered spectators that indeed the power of prayer and faith in their talisman of choice prevent any harmful affliction.
Supposedly there are number of different specialized agimat. The one I described above is a typical one that block any harmful physical effect. There is also a tagabulag (bulag = blind, blindness) which renders the wearer invisible, and there are those that prevent sickness or poisoning. There are those that are supposed to enhance one’s virility and endowment, and there are those that increase chances of instant financial gratification, yes, a charm for gambling.
This pagan exercise has become intertwined with our Catholic faith, wherein a number of proliferating agimat now bear Christian iconography and mostly all of the deities prayed upon were replaced with names of Catholic cast of characters, however, our version is tied to our South-East Asian (Malay) roots. While the west have just as much rich narrative in their versions of the talisman, I think that the innate nature of Filipinos being a superstitious society made the amalgamation of multiple influences seamless. We are very much welcoming of other nations superstition and brew them in with ours.
Our pop culture is littered with references to heroes owing their powers to such items. A usual story would be of young men seeking hermits and after proving their worth were presented with a highly sought after talisman. While most agimat now can be commercially bought along the side streets of old churches, it used to be that amulets and charms were handed down by elders in their death beds- these are supposed to be the more powerful ones. Although, I remember that talismans provided by nature are even more powerful. Most popular is the Mutya ng Puso ng Saging, where one would need to religiously wait at midnight for it to drip from the tip of the banana blossom and catch it with their tongue. The actual power gained from this ritual seems vague as most story present the hero with whatever the storyteller come up with or as maybe required, ie, plot convenience. But the Mutya has got to be the most romanticized story of the agimat ever.
Personally, my draw to the agaimat is a result of me being a writer/dreamer/artist/creator and I celebrate its place and hold in my culture. But to its efficacy?… nah, maybe when I was 10. Although Manila is a very techie world now, to a certain degree a lot of Filipinos still swear by the agimat, which again I attribute to our superstitious nature. And admit it or not a lot of our historical (and present political) figures and leaders as well believe in the agimat.
The talisman and agimat suliktad were created a few years apart. While I have sketched agimat sometime 2008-9, it was only finished early 2015 to what it currently appear after a series of re-designs. Talisman was sketched early 2016 and was finished to the current style just recently, after a series of re-designs as well, which was an afterthought to make it similar to the style of agimat after realizing that I should put these two together since they are basically the same thing.
Although in creating talisman, I have the option of designing it to a fairly doable rotational ambigram, I opted to create a chain instead as I wanted to preserve the “s” flip more than anything and I really intended for it to form a ring around a symbol, which in the final design turned out to be the word agimat.
The coin and the oracion page were recent edits. However, the coin was a poor scan of the 70’s Jose Rizal peso coin that I had made around the same time in 2008-9. The distressed oracion paper is the same one I have used as background material for other ambigrams you might find in this blog. Finally, the generic pagan prayer in the oracion is a quick English to Google Latin translation, which I found out, oddly translates back to English quite differently.
This ambigram was first posted last year at the wall of the Fellow Ambigrammist Facebook page.
Made to emulate rough paint strokes or war-paint, I created this by first making a series of freehand strokes for each character and possible ligatures or extensions with a ballpoint. Original concept was for it to be done with actual red paint, but being without access to the medium at that time, I went for the blue ballpen. I would have preferred red but that’s what I had handy then, which wouldn’t have mattered anyway since I decided to vectorize the sketch so I could do more tweaks digitally.
Somewhere in the comment section of that FB post, an observation of the “s” made me reassess the ambigram. I thought taking it out – though would make it singular – would be a nice amendment in making the “w” more legible. So a “new” ambigram came out of that based on the first version (I, however, did not post the altered version below).
With that done, I tried again to create a new take with a more fluid plural ambigram version. So I once again took out a ballpoint (a black one, this time – for no special reason) and began scribbling away.
While the original iterations were more paint-ish, the last one (to me) seemed more savage. Probably when I get back home I’d dust off my paint set and scrap canvasses and try this one out with it. It’d be interesting how it would translate to a traditional medium.
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Props to anyone who got the title reference… you’ve got to be around my age to get that and be afflicted with LSS or nostalgia by now.
Matagal-tagal na rin akong gumagawa ng ambigrams.
At mula pa noon ay marami-rami na rin akong nabuong koleksyon ng ambigram mula sa mga pangalan at samu’t-saring “concept pieces” na ang iba ay trip lang gawin at ang iba naman ay isinali ko sa mga friendly competition sa international ambigram community.
Minsan ang mahirap sa pagbuo ng ambigram ay hindi iyong mismong paggawa nito. Mas mahirap iyong paano ka makakarating sa mga solusyon sa piyesa mo nang hindi kagaya (sadya man o hindi) sa mga dibuho ng ibang designers. Kadalasan mapapansin mo na lang ay may pagkakahawing ang solusyon kahit hindi ang aktwal na hugis ng isang piyesa. Kaya minsan halos parepareho ang solusyon kahit magkakaiba sa estilo ng “lettering”.
Bilang isang Pilipinong lumilikha ng isang sining na hindi likas o mula sa Pilipinas, nagsimula ako na halos puro english words ang gamit ko. At ganoon din naman ang karamihan ng nakilala kong ambigram designers na hindi native english speakers. Kaya’t simula ng gasinong nahasa na ako sa paglikha nito ay inunti-unti kong buuin ang koleksyon ko na puro may kinalaman sa sensibilidad at kulturang Pilipino. Hindi lamang para maiba sa karamihang ambigram designers kundi para rin mailahad ko ang mga katangian na kinamulatan ko.
Medyo madami na rin ang nagawa ko – iyung iba na-ipost ko na dito dati pa – pero mas marami ang hindi ko pa mahanapan ng solusyon at gan’un din kadami ang nasolusyonan ko na pero hindi ko matapos! Kasi ang pangit naman na ipakita ko puro sketches lang pero walang “final piece”… At plano ko na sana’y mabuo ko itong isang aklat at maipalimbag, sa Pilipinas. (Madali lang gawing ebook pero goal ko ay iyong pisikal na nahahawakan).
So, habang nagaabang ako sa pagkakataon na maisakatuparan ko iyon – dito ko muna unti-unting ilalathala.
Kasabay nito ang pagkabit ko ng isang bagong likhang salita sa lahat ng ambigram na nalikha ko na at lilikhain pa na may koneksyon sa kulturang Pilipino. Kung ang salitang ambigram ay binuo mula sa ambi (both=pareho) at gram (letter=titik), tatawagin ko ang lahat ng Pilipino ambigram words na SULIKTAD. Mula sa mga salitang: sulat at baliktad. Self explanatory na siguro po.
Bakit ko naman kailangan pang lumikha ng bagong salita para tukuyin ang mga Pilipino ambigrams ko?
Iyong totoo, wala akong diretsong sagot, liban sa: para magkaroon ng buhay at kapangyarihan ang anumang bagay kailangan nito ng isang pangalan. At siyempre mas gugustuhin ko na ang pangalang itatawag dito ay hindi salitang hiram – iyong sarili niya dapat. At dahil walang direkta at literal na translation ang salitang ambigram (as far as I know, hindi pa siya officially included sa mga dictionary as of this writing), dapat sigurong bigyan ko siya ng Pilipinong pangalan.
Sa huli, para mas gawing makabuluhan ang sanaysay na ito (o ang matiyagang pagbabasa ninyo sa mga pinagsasasabi ko), malugod ko pong ihahayag ang isa sa mga bago kong suliktad.
Sa ating mga Pilipino madalas mabulalas ang sawikain na ito. May kinalaman ito sa pagpupursige at pagtitiyaga, lalo na sa pagharap sa hamon ng buhay. At hindi ko na siguro po kailangang maging Helen Vela, Eddie Ilarde o Dely Magpayo para himaymayin natin ang kahulugan nito. Alam kong alam na natin lahat ito. Nawa’y maging inspirasyon po sa ating lahat ito. Hayaan ninyo na kung mayroon man kayong mapulot na kung anuman sa pagsilip ninyo dito sa pahina ko ay itong paalala ng ating kulutura. Sabi nga sa Kalyeserye: “Hindi lahat nadadaan sa pagmamadali, lahat ay may dahilan… sa tamang panahon.”
Maraming Saalamat po!
We were supposed to meet up at a fast food joint across the church near her workplace at 530pm. The plan was to take her to a movie, then to Sbarro at SM Annex where I would spill my guts – all or nothing, man. This had been building up from the day we reconnected, and my partaking of my father’s birthday celebration which falls on the same day would just have to wait till I get home.
Anyway, I got to Cindy’s beside Quiapo Church with about 45 minutes to spare… enough time for a last rehearsal of my lines which I had been going over in my mind since before I asked her out – three months prior.
But that much time did me no good as all I did until then was walk back and forth from the church and Cindy’s.
When the minute hand moved four minutes passed 530, I went inside and cased the place.
Nope, she’s not there. Maybe she’s just held up at the office or something. Mind you cell phones and pagers weren’t as easy or cheap to purchase then, and neither of us owned one.
Then 30 minutes went by and still nothing. Was I stood up? Had she changed her mind? (Of course, she did, why would anyone want to go out with you?) Did something happen to her? At this point I was so restless. I was sweating cold sweat. The vendors outside the fast food place were giving me strange looks. I might have heard someone snigger behind me.
Then all of a sudden it hit me. What a stupid@#*! you are, I told myself.
I began to run. Faster than I ever had before as I thought of every possible excuse for being late.
Fifteen minutes after, as soon as I got passed Sta. Cruz Church, I knew it was all over. I began to take shorter strides and decreased my speed to a walk. Heaving heavily, all I could do was curse myself as I stopped in front of Wendy’s.
Wiping my sweaty forehead I crossed the street to try and see if by any chance she’s still at her office. Just as I feared, nada. The gate to the office had already been padlocked.
I found myself standing at the Monumento bound platform of Carriedo Station of the LRT thinking maybe I should go over to her house and explain me stupidity, as if that’s possible – explain my stupidity, I mean. You just had someone a millennia off your league wait for you (who most likely felt foolish and frustrated standing by herself waiting for a great piece of work, like you) and no amount of pleading or reasoning can get you off that easy. Still I had to apologize and make up for this epic fail. Maybe I should put it off till tomorrow…
It was the longest 15 minute train ride of my life.
Running down Gotesco Grand Central, a thought hit me and I began to ran across to the other side of the mall and out the rear exit. I passed a small eatery that was owned by the family of her close friend. She’s not there. It almost felt as if that was a good thing.
I made my way towards the bus stop across MCU, and impatiently waited for any of the three speeding buses to come to a halt. And just my luck the most dilapidated of the three was my ride.
EDSA was not THAT crowded then, but this was weekend rush hour and at the rate I was going I’d probably reach Megamall nearly closing time.
It was a long shot but I felt like it was worth to try. If I am wrong, maybe she’d open up when I come knocking at her house. That is if her father don’t open up first.
Yup it was almost closing time as I ran up five flights of escalators. Upon reaching the final landing, I saw two of her friends casually talking while seated on a bench fronting Pinctada.
Acting as if I was actually supposed to be right there and then, I asked if…
And there she was….
(STOP. Can you picture this like that in the movies- where as cued by the main theme song everything goes in slow-mo… that’s what it felt like.)
And there she was….
Descending from the upper floor wearing this powder blue dress. Just like an angel.
It was too late to move my gaze away as her eyes met mine. Which kind of locked in simultaneously. Something was off with her face, though… there was surprise in her eyes, upon seeing me there after what has transpired earlier, I can tell but what I could not place was the smile on her lips. She was smiling… at me?
I did not even realize she was beside another friend until I was asked what I was doing there. I don’t recall having an answer for that. If there had been it’d have been something SO obviously made up. All five of us took the same five flights of escalator I took down and out the mall.
Awkward. How on earth was I suppose to apologize with three other girls at the wings. We might end up all taking the same bus home… But nope, Lady Luck smiled upon me – the other girls took a bus with a different route.
I ushered her on board the bus bound for Bayan, Malabon, where I began recounting (to her amusement) my stupidity and how, with my great deductive prowess, I was able to catch up with her. I could not remember anymore what we talked about on the bus. I was too busy feeling the moment.
It was 1230 when we got to San Bartolome. Both very hungry at this point, we went to the nearest store – Pizza Hut.
We were ushered to a table in the second floor since all the tables below were full. There was no one around. (Actually, I remember all the chairs were upturned on top of most tables.)
I ordered for us both, and since a pizza order takes about half an hour to be served… (after the service crew went down) I threw caution to the wind…
This took place 21 years ago today with a girl who now share my name. Yup, ditching my father’s 52nd birthday celebration hours earlier, was well worth it.
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On another note… I am back.
It has been 18 months since I last visited this small corner on the internet (for more immediate priorities which I wouldn’t concern you with anymore). Boy, have I missed it very much. Hopefully, I get do a lot more of writing and ambigramming before I go on another “season” hiatus.
On my last entry I said that “The next few issues will be worth it.” Well, I hope my new season premiere piece lived up to that promise. Until next time.