Tag Archive | art

komiks 3: zuma

Created by Jim Fernandez in the ’70s, this demigod is the spawn of the Aztec serpent god Kukulkan. This bald, green hulk of a monster’s most prominent features are the two constrictors protruding (about a couple of feet) from either side of his shoulders.

Regarded more as a villain, he enjoyed a considerably extensive publication that has spun off a couple of series in its heyday, was adapted into films, and had its revival in print a few years back.

When I first featured the “Darna/Narda” symbiotogram, I never thought I’d get to make a follow-up issue, much more a third! I’m glad that should this be the last Filipino comic character I ambigrammize – (hopefully not), at least I capped it off with a sort-of-trilogy (XD). To think while “Panday” was published first, “Zuma” was conceived earlier – only that I was not satisfied with the first iteration, so it got pushed further back.

This piece was finished last year after a lot of tinkering with the main glyphs and the final image itself, about the same time another ambigram piece (based on a more internationally well known literary classic which will definitely be featured here sometime soon) was done.

Unlike the two previous “Komiks” feature’s isolated overlaid rendering, I decided to set the ambigram as a stone relief, emulating those artifacts found in the famed 16th century Mesoamerican sites.

But, it wouldn’t be much of a series if I don’t set this image on the “Komiks” page background… so here it is.

zuma ambigram by danadonajr 2019

I’ve also included the progress sketches and final line art, so you could get an idea on how the design evolved from a possible mirror ambigram solution to its current rotational interpretation.

Finally, I’d like to acknowledge a couple of creators whose work I used to enhance mine. Although Pixabay says no attribution is required, yet it’s the least I could do when they’re absolutely free – even for commercial use!

The stone background image is by Peter H while the torn paper is by Sarah Richter, both from Pixabay. Hope the links work.

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time flees

Yes, it has been a while.

To make up for the long absence (or at least try to), this feature is a special one. It is called Tempus Fugit.

Finalized in a stylized Blackletter Type, this is not my first remake of an previously created ambigram. But this get to be the first to be showcased. The first iteration of this design, created about five or six years back, was more Script in form, though similarly a chain-type ambigram.

While I was very much happy with my first take on the phrase, it was pretty obvious (to me) that I could improve on it – didn’t know how or what, but I was positive a better version could be done.

After a whole lot of sketches over time, I thought I made a breakthrough last year and fired off my CorelDraw. Took maybe four days shuffling back and forth with Draw and Photoshop to get to what I consider to be the final ambigram.

However I might take the ambigram further by incorporating it with a steampunk sculpture I have been meaning to do – soon as I find a way to punch it out of a metal sheet.

But in the mean time, we’ll just have to make do with a vector file.

Along with a photograph of the original ambigram in a real world application made in 2014, please be amused by my #taketwo on Tempus Fugit.

Tempus Fugit Ambigram by danadonajr
Tempus Fugit. Ambigram Redux
Tempus Fugit , 2014 iteration

Aves del Rey

In the previous installment of this blog I briefly mentioned the lag between posts. And as I was trying to finish up on the artworks for that (while simultaneously procrastinating) I was able to sketch out and work on a whole lot of other ambigram designs. This is one of those.

#haribon #danadonajr 2018 #ambigramThe Haribon (a portmanteau of Haring Ibon or Hari ng Ibon), literally, king of birds, is endemic to the archipelago and has dislodged the (Red) Maya as our National Bird for about 20 some odd years now. Previously (mis)named Monkey-eating Eagle for it’s initially reported dietary habits, this wide winged predator is still listed as endangered mainly due to displacement by deforestation. A monogamous pair breed usually every other year, hatching only one chick to rear give or take until about a year after.

Going in, I was hoping for a mirror ambigram as a final result – so i can top it with a graphic rendering of the bird with its glorious shaggy crown and wings spread wide. But as I’ve always known for it to be, it’s the word that dictate the form. This time it’s a rotational ambigram.

I tried out other faces but Blackletter makes it more regal. After the final ambigram was created, I opted to simulate the gradient hatching pattern usually found in currencies.

52

That took a minute! Welcome… and welcome back.

After Issue 35 came out, I was adamant to have the next installment of the Ambiverse Series featured on this issue — DC nerds like me will get it. I had a good enough lead to finish up on all the pieces I wanted to do and those I had been working on and was confident that I’d make the deadline.

It seemed that everything was going along well when after Issue 50, work stuff derailed that. For nearly a year, ambigramming took the back seat. By the time I was free to get back on the drawing board, “I was off my rhythm”, I think was my justification. While I did sketched a lot, I procrastinated more.

Then my computer suddenly could not read my backup drive where all my previous pieces were! Cold chill running down my spine at the thought of losing all my data, never mind recreating every other unpublished ambigram, was enough to break the spell…

When I finally got it running again, I placed all my eggs on other baskets — multiple baskets — and found myself hatching away with a few more designs that weren’t part of my original lineup. Definitely, one of the better thing to come out of a hair-pulling event like that.

So after a 19-month break, finally, it’s here! I present Ambiverse Volume 2.


First up is Cyborg. #CyborgAmbigram #ChainAmbigram #Anaglyph3D

This was the first piece I worked on, immediately after Volume 1. The ambigram was created digitally, from vector to raster straight from my mind’s eye. I had the specific  type thought of well ahead and I suspected that I’d likely have a workable solution if done as a chain ambigram. It was great seeing the y/b flip turn out to be as awesome as I thought it would.

I also imagined the final artwork as an anaglyph 3D hybrid where the ambigram would hover over the illustration, though with a bit of hesitation as the ambigram itself was already heavily stylized…

#danadonajr #CyborgAmbigram

… but whattheheck! You only regret chances you never took, so, here we have an addition to the meager ambiglyph collection I started back with Issue 04.

#danadonajr #CyborgAnaglyph

Next, Atom. #AtomAmbigram

While I thought it would work nicely alongside the #FlashAmbigram and #ArrowAmbigram, rounding up the CW lineup representing the namesake shows plus DC’sLoT, this did not make the cut on Issue 35. The original ambigram design I had for “Atom” was done Blackletter style, so a rework was necessary… and not having an illustration at hand was kind of a big set back as well.

#danadonajr #AtomAmbigram

Hawkman. #HawkmanAmbigram

This one employed a bit of a cheat by using the arm of the W (M’s leg) as the K’s stem. Though, on its own the ambigram looks great especially on black and white, only now do I see, that it’d have been better served had I made the glyph/characters a bit heavier… maybe I’ll make an update on the next volume.

#danadonajr #HawkmanAmbigram

Azrael. #AzraelAmbigram

I was planning on including a Batman ambigram here, but it was quite similar (sharp tips, edges and all) to the relatively newer #HawkmanAmbigram above except that one is a mirror type ambigram. So instead, I went on to create Denny O’neil’s assassin getting medieval on us with the ambigram rendered regally with nubuck/leather texture on good-ol’ Blackletter.

#danadonajr #AzraelAmbigram

Aquaman. #AquamanAmbigram #TotemAmbigram

THIS! …is my new favorite. Why?

Even before Issue 35, I had wrestled with this word/phrase. I’ve ripped voluminous pads of paper trying to solve “Aquaman” — see one of the older sketch I made below. Adhering to one of the tips I’ve listed on my essay in Issue 50, I was so fixated in coming up with what I narrowly thought of as a solution, working and reworking each glyph to “fit” my presupposed outcome, I had to walk away and was finally able to figure it out with a resounding “AHA!” just late last month! It’s ridiculously simple, one can argue that it isn’t even an ambigram.

And well, by virtue of patience I now have my very first #TotemAmbigram… always wanted to do one, never quite found the right mix, until this one swam up next to me and fixed its mucus-filled suckers on my face like Starro. As with the #CyborgAmbigram this too was straight up vector made.

Note: A Totem Ambigram is a vertically stacked or arranged mirror ambigram. A mirror ambigram, typically presented horizontally, is required to be symmetrical on either wing extending from it’s central Y-axis, making it readable on either the obverse or reverse side or when reflected on a mirror.

#danadonajr #AquamanAmbigram #TotemAmbigram

Shazam! #SHAZAMbigram

Having Aquaman and Shazam! come up fairly around the time their big screen debut is up is just a welcomed coincidence. I came up with the ambigram design around the same time as the #FlashAmbigram, but for reasons, my Captain Marvel illustration wasn’t to my liking. Or hehehe, let’s be honest, maybe I’m just really not that good with figure drawing… yeah, maybe that was it, so I just kept putting it off for later.

The featured illustration was finished fairly recent, just days after my external drive episode. I just sat down and scribbled away… took me three tries in two hours. I like his wide grin and arched brow.

#danadonajr #ShazamAmbigram

Hitman. #HitmanAmbigram

This was not supposed to be here, but I thoroughly enjoyed Tommy Monaghan‘s exploits so much I had to sneak him in. Thank you, Ennis/McCrea. I wish DC would bring him back… better yet put him up in the big screen. DC’s answer to Deadpool isn’t Deathstroke, it’s the friggin’ Hitman.

The larger ambigram was based on my “HUMAN” piece this time set to a Serpentine-adjacent typeface. They have fairly similar configuration. Originally, I created a series of scratches chalking up death counts to form the original ambigram design, which when incorporated with the hatch heavy illustration, don’t seem to pay off, so I decided to make the switch.

#danadonajr #HitmanAmbigram

And finally, Sandman/Morpheus. #SandmanMorpheusAmbigram #EndlessAmbigram #Symbiotogram

For a while now, I had been trying to finish my Endless Series (ambigrams based on Neil Gaiman’s opus) but I’m stuck with just these two plus Death

As this also was not supposed to a part of this series, I thought it’d be such a waste keeping it all tucked away for when I finally get to really be working on the others. Better get it out there for critique so that I could improve on it and maybe force me to work on the unfinished ones.

The idea was: when all the pieces are finished, the Endless Series could be put together like a puzzle to form a larger overarching image. So for the time being, let us enjoy the preview below.

#danadonajr #SandmanMorpheusAmbigram #Symbiotogram

 

The Ashcan.

Below are composites of the initial pencils, created at different points in time, for the pieces featured on this post.

Thanks for going through this far on this essay. See you next time.

#danadonajr

#danadonajr

fate and destiny or destiny and fate

#suliktad #ambigram #danadonajr #imagefoundry

tadhana suliktad danadonajr2016 ambigram

 

tadhana suliktad danadonajr2016 ambigram

kapalaran suliktad danadonajr2016 ambigram

It’s nearly Halloween! And so, this month’s brew is laced thick with Filipino-style mysticism.

Twice a year, in my largely superstitious country of origin, these topics resurface like clockwork – around Lent (especially Holy Friday) and All Saints/All Souls Day. So in keeping with tradition I have conjured these two suliktads (ambigrams)… Tadhana and Kapalaran. Both words are interchangeable translations for Destiny and Fate. Kapalaran tends to be more positive of the two and could be a surrogate for Luck but we use the Spanish lent “Suwerte” more often in the vernacular.

As I am so fascinated with Filipino Mythology, folklore and brand of occult, that I have once again chosen to go that route… although leaning a bit towards our Spanish influenced aesthetics. The first image (Tadhana) was actually intentionally posted upside-down with a clearer general image coming to fro once turned right side up. It incorporates the ancient Tagalog script Baybayin in place of western runes as casted spell. The third image draws inspiration from a scene from the third act of the Constantine movie.

In both cases the suliktads were drawn based on Blackletters. Other letterforms were explored, and while I was consciously hoping for a good serif type turn out for the Kapalaran chain, I saw that going Blackletter would serve these designs better.

I would have produced more skin art related images but other obligations that require greater attention had me setting them aside… til next time maybe.

aking kulay, aking lahi

#suliktad #danadonajr #imagefoundry

danadonajr2016danadonajr2016

Could not really find time to write a full essay for this suliktad as I had been busy with my workload for the past weeks. And the coming weeks will prove to be just as crammed (although I have a full week of Eid Al Adha vacation) as I fortunately landed a couple of design jobs that’ll need my full attention.

I made two ambigram versions of the word KAYUMANGGI. While fairly similar in construction, the first one is sort of a script/brush type rendering of the ambigram and the second iteration is more of a serif type. These two, however, are recent versions- a remake if you will… after a thoughtful “autocritique” on the merits of the earlier version’s form.

Kayumanggi is a word that both refer to the Malay skin tone and to the Filipino as a race. However, the use of the Spanish moreno in the vernacular in reference to our skin color elevated the word kayumanggi to a regal descriptive word for the Filipino ethnicity.

So, I proudly celebrate the Filipino (with its faults, flaws, misgivings and imperfections) with the suliktad, Kayumanggi.

st. elmo’s fire!

st elmo's fire circular chain ambigram by danadonajr 2016Take me where my future’s lyin’…

I’m just going to come out and say that although it was not the song – nor the movie – that inspired me to create this ambigram, it, however, kept on playing non-stop in my mind all the while I was in the process. And I will bet John Parr’s voice is taking up space inside your head and between your ears right now as you read these first few lines.

I don’t blame you.

sketch by danadonajr 2016
From a monotype sketch comes this fully digital vector. And while I was adamant on anchoring the chain on the “S” I was pleasantly surprised at how the dot on the “St.” abbreviation flipped over to be an apostrophe. As a whole my only concern with this is if the overturned “t” will be too much of an eyesore as it basically has nothing to do there but hang. But really looking at it (especially the full chain version) I thought it did not stick out too much like a sore thumb as I really had to look for that over turned glyph. And I thought to myself that if I even had to look for it, then it probably would not take much away from the whole picture.
st elmo's fire chain strip ambigram by danadonajr 2016st elmo's fire circular chain ambigram reversed by danadonajr 2016

I don’t really have much of an essay to write here as this is one of those spur of the moment ideas… I suddenly thought of it (a couple of months back) and somehow managed to finalize the artwork in about two days. Unlike my other ambigrams that I could go on with stories of wracking my brain to find a solution and finding little time to vectorize it- I am happy with this one, this was essentially an easy one for me.

Unfortunately though I could not think of a less obvious title for this post.

I can see the new horizon underneath the blazin’ sky
I’ll be where the eagle’s flying higher and higher...

komiks 2: ang panday

ang panday ambigram by danadonajr 2016

Panday is arguably the most popular Filipino male comic book hero, and second most iconic, next to Darna. (Ang) Panday ( (The) Blacksmith in English) was created in the late 70’s and fleshed out in to the big screen in the early 80s by Philippine Cinema’s Action King, Fernando Poe Jr., which most likely gave the character just the right amount “creds” for it to be catapulted and cemented to its place in Philippine pop culture.

Although the original cinematic version of Panday, presented ala fantasy adventure period flick, slightly differ from the source material which has a more contemporary flavor to it, all the basic premise are pretty much the same, wherein the blacksmith Flavio forges a dagger from a meteorite and uses it to vanquish evil despot Lizardo and his horde of Orc-like creatures, engkantos and plain clothes henchmen.

The final ambigram above is the third version in a series of sketches and redraws with play on either just Panday and Ang Panday. I went with Ang Panday as Flavio is most often referred to with his title within or outside the story. The other two versions are below.

panday ambigram by danadonajr 2016

ang panday ambigram ver01 by danadonajr 2016

Initial sketches go as far back as 4-5 years ago.

I decided to present the final art the same way I did the Darna ambigram in hopes of being able to continue on and create a series of homage pieces on Filipino comics characters, similar to what I intended with the DC Ambiverse series.

r+l=j …or meanwhile in Westeros

While I like the television series very much, I do not consider myself that big of a Game of Thrones fan or A Song of Fire and Ice for that matter, having yet to read any of the books, but I know enough to get me through the mythologies and politics per season – I think. Up until season 3, I mixed up who’s who, mistakenly renamed and mispronounced a lot of the places and characters in the show – except probably the main ones and Hodor, I always get Hodor right.

Going through Youtube season 6 trailer reactions a couple of weeks back, I began scribbling what I thought to be an easy flip – Lannister. From a simple monotype sketch, I began constructing from previously created Blackletter characters on my PC the first iteration of the ambigram, which was finished just as soon as started with it.

After that, came Stark, which was also easy. I would have left it at that if – I thought – Baratheon turns out to be a hard flip using the same glyphs. But it wasn’t that bad… so I pushed on.

Main concerns that I had to think around with were making enough distinction between capital and lowercase T and the varying nuances of the Ls and the Rs with respect to their correlating flips. As much as possible I don’t like mixing up caps and lows but with Baratheon I had to let it slide, because using a lowercase r will force me to use a lowercase T with the crossbar at the center or a lower case T glyph with crossbars at both end, which to me did not look good either way.

ambigrams by danadonajr

At the last minute I changed up the e/a flip of Lannister as well as the a/r combo of Stark to retain a streamlined face where all the characters look fairly the same throughout the set of ambigrams. All in all I thought the hardest one to pull off was the u/ll flip of Tully, but I thought I made enough compromise to make it work within the “constraints” I set in place.

And with that I present my Game of Thrones ambigram set.

arryn ambigram by danadonajr 2016
baratheon ambigram by danadonajr 2016
lannister ambigram by danadonajr 2016

martell ambigram by danadonajr 2016
stark ambigram by danadonajr 2016
targaryen ambigram by danadonajr 2016
tully ambigram by danadonajr 2016
tyrell ambigram by danadonajr 2016

And lastly… you may find it interesting that the last piece created (and I had thought of making) was this Game of Thrones ambigram, below, seemingly counter intuitive since it’s the show’s title and would make a great capper. With most of the characters and glyphs done it was a fairly quick edit. The main puzzle to be solved were center characters but largely what to do with the capital T. Incorporating the fleur de lis was a clever (or at least I thought it was clever) solution which wouldn’t be too much out of place since it’s found in the other pieces that kind of ties it all nicely together.

game of thrones by danadonajr 2016