Having been fortunate enough to work between 1994-2007 for the grand-pappy of labels in the Philippine recording industry, I had the privilege, in 2003, to collaborate with two of my musical heroes in time to commemorate over two decades of unparalleled contribution to OPM, Lolit and Pendong (sans Mike and Saro) of Asin.
Growing up with a musician parent has opened me up to appreciate a grand spectra of music genre, ‘though I feel that even without my father’s influence I would have gravitated onto some great music by myself. (He’s more of a standards kind-of-guy, but would later in his career sometimes crank it up a notch by taking on a few pop music in his repertoire.) As a “totoy” then a“Bagets” in the mid-70’s and through the 80’s, I was swept for a ride with the emergence of what is essentially the foundation of Original Pilipino Music (a distinct category in Filipino music separating it from the indigenous, the standards, the foreign covers and Kundimans): the Manila Sound, the Manila Pop(ular) Music, Pinoy Rock, Pinoy Novelty and Pinoy Folk- to which Asin’smusic is categorized. As (probably) with most of my peers, my introduction to the music of Asin was via a bootlegged cassette tape… and the 70’s and 80’s saw the proliferation of bootlegged everything in Manila, especially mixtapes. Along with their contemporaries, Asin’s music was teeming with social commentaries. Interestingly enough, the music they brought forth significantly plays more than just as background score to the most tumultuous part of the country’s contemporary history. Their music became staples in the cries for sociopolitical change at that time and for the years following. While classic OPM ruled the airwaves at that time, the early 80’s through the early 90’s saw its decline when MTV crashed the party, the Manila Sound, Pinoy Rock and Pinoy Folk has been relegated to weekend radio playlist up until a renaissance of sort took its place back mid-90’s.
Fast-forward to 2003 at Vicor Music, Lolit and Pendong had just signed a contract for an anniversary record release. Armed with my Nokia 3210 (yyyyup!), I got Lolit’s mobile number and forwarded her my bespoked ringtone “Cotabato” based on Ang Bayan kong Sinilangan. And because my boss’s office was about three meters away from mine I heard Lolit play the familiar 8-bit tune, followed by a short shriek and a roomful of chuckles. I was outed by my boss’s executive secretary (who btw gave me Lolit’s number) and was ushered in to be introduced as the guy to handle the album cover design and packaging. Pendong and his wife Chat just as soon, asked to be sent the same ringtone. (Whew!) Lolit later revealed that she shrieked because she was just talking about the song and Saro (their departed original vocalist) moments prior and thought it was a haunting!
The pictorial for the inlay, press and marketing releases was another first for me, as I had in collaboration, top caliber and veteran cinematographer Charlie Peralta behind the lens at Roper’s putting in to film what I had only a few days back sketched out. We would later on work on a couple more projects.
Creating the ambigram brought back a lot of great memories… working with the band, and of my 13 year gig at Vicor and even further back when I was younger. At times humming and/or bellowing out lyrics while bobbing my head with the full playlist in my head as I finalize the ambigram, making it a fun couple of days.
Although I almost hardheadedly kept on working on an S/I flip which had me going for a couple of sketches, a fairly easier and more pleasant solution was to, apparently, extend one of the “A’s” leg as a “tail” which would serve as the “N’s” back leg when flipped… making the “S” a perfect pivot. Stretch out each character a bit and ease out the tail to even up the spaces between the “I” and “N” when overturned. Since there were just two glyph to contend with, it was a fairly quick vector process than usual.
Based on the initial sketched design a vector file was created and then tweaked a few different ways. With the ambigram finished to my liking, I thought to myself that it would have been great had I known ambigram 15 or so years ago and have this piece (or a similar version) incorporated with the Baybayinscript on the cover I had done. But no… the Asin logo* holds way more coolness points with its history than this newfangled fan creation. Maybe on a future tribute album release or something… and after this maybe I’ll try a few more with other OPM legends.
#suliktad #danadonajr #imagefoundry
* The more commonly recognized Asin logo is actually it’s second logo. Earlier albums carried a stylized logo with the letters drawn as individual (salt) crystals.
My Dear Robert,
Ahh, I sure would care to see the look upon your face when you get this quite unexpected letter from me. Especially after this letter will have found you in the eventuality of my death.
I have missed you. It has been a while since I last saw you with Saunière’s granddaughter from within the police vehicle as they drove me away. How is she, by the way? Neither of you went to my sentencing. And you kept the Priory’s final secrets from me very well. Oh, how I wish I was with you when you went to see The Grail’s final resting place. Were you able to trace the bloodline? Ahh, but I hold no ill feeling. You did what you thought was necessary as I did what I thought was.
Although, my dear Robert, my reasons were far more devious than I lead on, for mine were personal. I had to find the Grail for my own salvation.
Let me enlighten you: if you thought my murdering all those people to reveal the best kept secret the world never knew was the worst I have done, well I have done graver things. So grave that only the blood of Christ or that of the redeemer’s descendants can save me.
And now my sins have come back to persecute me and rightfully render judgment. I shall soon be dead in a way more hideous than anyone could ever imagine.
Die if I must, I thought I needed to tell this story to someone I could trust, someone who once considered me a friend.
Under strange circumstances, four days ago, William Clay and his brother Simon were both murdered right inside the study of their nice home in New York. Simon died from blood loss when the killer’s bullet severed an artery in his neck, before being stabbed 52 times. While William, I found, received the same amount of stab wounds on his face and torso before being shot right between the eyes. The object used to stab William was a shard from one of the damaged glass casings in the study, which housed rare items. The study was devastated. However, while every curio lay scattered on the floor among the broken glass shards, the authorities found only one item missing…
A book. Or to be more specific: loose pages from a book.
So what did this have to do with the Grail and my impending death, you ask?
Well, William Clay was born Hans Wilhelm Gruber, third son to an Austrian cobbler and a Bavarian school teacher. Even in his younger days, he already showed a great fascination and interest in Ariosophy; the occult mysticism and Volkisch studies that not too long after military school, he became part of the Thule Society, with Alfred Rosenberg as benefactor.
Gruber not only shared Rosenberg’s anti-Semetic stance but was a staunch advocate of his patron’s religious views and was even more outspoken about having Christianity eliminated – it being born out of Judaism – favoring the revival of Asatru as the true religion.
His “invaluable” assistance to Rosenberg in leading the Nazis while Hitler was imprisoned after the Munich Beer Hall Putsch earned him a position of considerable influence at the Ahnenerbe ranks.
But, dear Robert, I may have buried the lead in neglecting to say that both of Wilhelm’s brothers died of cholera at a very young age…
So who, you may ask, was Simon Clay?
Wilhelm’s fascination with the occult got him associated with the Thule Society. But more than what the society had to give, he was intrigued with a charismatic young astrologer and clairvoyant who was the ward of Erik Hanussen- he was called Simon Peter Krieg. It was thought that Krieg, not Hanussen, taught Hitler the secrets of influencing a crowd. Before Hanussen’s death, however, Krieg went on his own and became astrologer to various high ranking officers within the Schutzstaffel, including Heinrich Himmler who introduced him to the Ahnenerbe in order to attempt “to harness not only natural, but also supernatural forces.” There, he was first introduced to Wilhelm Gruber, two years before I met them both.
I was not aware that my research attracted the attention of the Ahnenerbe up until the time they showed up in my place near Vienna. While their agenda was incongruent with my take on the matter, they were just as passionate in locating the whereabouts of the grail. And they were more than willing to pay for my services.
For what it was worth, the two offered genuine friendship to me. And while I am not one to judge… Gruber and Krieg seemed to be even more friendly with each other.
Gruber and Krieg, with their unquenchable thirst for the search of mystical forces to control, spearheaded the Nazi’s quest to find the Heilige Lanze, the Holy Grail, the Ark of the Covenant, the hamarinn Asabragr, the Book of Thot, the Illuminati diamond, the Philosopher’s Stone, and Jason’s Golden Fleece, among others. All of their research were written down on a carefully crafted journal whose pages were watermarked with ambigrams of the names of high-ranking Nazi members.
Supposedly, these ambigrams were designed by Krieg himself, whom I learned was well-versed in symbolism. Gruber had him create a series of ambigrams which he believed would provide immense power to those whose names were made into. Of course, we now know the case was not such, but that gesture made Gruber and Krieg favorable in the eyes of the Fuhrer. This journal with ambigram watermarks that they called “Buch der Arische Weisheit” was mass-produced and distributed to everyone whose names were made into ambigrams – from Hiltler to Hess.
While my own search for the grail was at a standstill, Gruber and Krieg approached me in haste late July of 1944. They said the SS were looking for them. Krieg said that there were talks that they had already found some powerful relics and they were keeping them for themselves and were behind plans to overthrow the Fuhrer. They were being linked to Stauffenberg. Gruber insisted they were not party to the plot and he was contemplating on turning himself in to explain. He wanted to know how goes my search so that they may use it in their defense. Krieg was more realistic in his belief that all would be for naught as all the journals they had given out were already collected and destroyed. Everyone was keeping their distance. Krieg was very convincing when he presented an alternative plan. He said they both needed to die. They were to die in an explosion, supposedly while attempting to harness unfathomable energies. Their bodies would be found and declared dead and their betrayal touted true.
And I was to help them carry this out. All I needed to do was find them doppelgangers.
I don’t know what made me agree to this proposal. It could be the thirty uncut diamonds he handed me instantly or the scrap of paper with three names written on it with the heading “Grobmeister.” Whatever it was, it took no time at all for me to lure two unsuspecting interns…
Gruber and Krieg had other people help them out of Berlin and the news of the explosion was the last time I heard of both. Indeed, it happened the way Krieg envisioned it.
Fast-forward to spring of ’91 when a Prussian Psychologist named Simon Clay purchased at an auction in Monte Cristo a surviving Hitler ambigram page of the now infamous “Buch der Arische Weisheit.” That was when I knew both he and “his brother” were still alive.
As to who killed them both, I have no idea. But I could hazard a guess as to “why”, and if I should follow their fate, then it could only mean that somebody may have found out the real identities of Gruber and Krieg. If so, then a few more dead bodies shall follow. For, like the Clays, both men continued to delve with the occult and mysticism and founded a society similar to the Thule.
It took a while for me to decide if I would go on and confess my sins to you. I had to stop for a good three hours before coming back to this letter. While I have divulged my association with the Clays and what I have done to help them escape, try as much, I find it rather hard to tell you the reason for which I am to die. Believe me, I thought I could but I am afraid it is something I will take to my grave. I could be wrong with my fate Robert, but it is very likely that I am not. Instead, I shall let you find out only if you wish to and not because circumstances have forced their way to you. Please indulge an old man about to meet his judgment, let me leave you with
POLIAM FRATER FRANCISCVS COLVMNA PERAMAVIT. Admits Unusual.
goodbye my dear,
Inspector Drebin took a drag off his Alhambra and stubbed the butt on the tray as he blew a cloud of musky smoke. He then folded the letter along its creases, gazed into the eyes of the man seated in front of him then flipped it across the desk.
He shifted his eyes towards the unimpressive key he had confiscated from the American. Odd little thing. “So that is how you got yourself involved, professor?” he asked as he lifted the key to about six inches to his face. “That is all you can tell me, no?”
Robert reached for the letter then slid it inside the breast pocket of his Harris Tweed. “That’s all there is… the rest you know.”
“You believe this? This whatshisname…? Mr. Leigh, right? His narrative of Nazi mumbo jumbo? Ario-so-cra-cy? But more importantly – Jesus had … children?”
Robert disregarded the last remark but tried to make his explanation as understandable as possible. “It’s actually Ariosophy. A branch of study by the Nazi rooted in the belief that true Germans originated from the superhuman race of Aryans. The Nazis were widely believed to have been eager to lay claim to mystical objects, icons and symbols that they thought would grant them eternal power, the Swastika, the Spear of Destiny, the Holy Grail…”
The tired Inspector waved him off, uninterested. “Yeah, yeah… you see, professor, I’m a simple man. I go by what is in front of me. I got here with me a simple case. This key here, opens SOMETHING that someone wants. And whoever that someone is – WILL kill to have it in his possession.
Now, this “something” belonged to William Clay, that was passed on to a couple of people until it reached your dead friend. Now, it’s likely that those dead people indeed were Nazi fucks and somebody found them out and began offing them- which by the way, if true, IS exactly what they deserved, but…..”
Inspector Drebin stuck another Alhambra between his lips and drew close his disposable lighter.
“That does not explain why you were found locked up beside a dead man, inside the private vault of…”
Just then, two loud gunshots rang. Then another and another. There were now multiple gunshots blazing a few meters outside the room. The two men looked at each other, then the Inspector dropped the Aldus key and the evidence back inside his drawer and locked them in.
He walked from around the desk towards the door, drew his service firearm, turned around and instructed the man being questioned, “Stay here.”
As the inspector rushed outside, Robert stood up and walked behind the desk and jiggled the drawer. The gunshots were getting closer. He inspected the lock and thanked his lucky stars that they were just cheap regular drawer locks, the kind easily opened with a paper clip.
The blaring noise was now just a few meters away.
As if used with a proper key, the lock unlatched and Robert drew the drawer open. Immediately, he grabbed the Aldus key and was about to close the drawer back when he spotted something on the evidence bag that he failed to recognize earlier.
The ambigram was not the important element on the page. It was something that was printed on the other side. Something printed with a special ink that was revealed when it was exposed to the dead banker’s blood. The reason why the Clays were collecting every page they could.
And with that, Robert knew where he needed to go next. More importantly, he now knew the person who was going to be murdered next and who was killing them all.
Inspector Drebin barged in to the room. Breathing heavily – no – gagging, his face was pale and he held on to the left side of his neck. As soon as the stubby man dropped on the floor, Robert pocketed the Aldus key and the evidence bag and made a beeline for the door.
He had not even had a full step outside when he felt his right thigh explode in pain. He let out a loud cry. As he fell back he felt another searing pain, this time from his left clavicle. Sprawled down on the floor, Robert felt he was about to go unconscious.
And with all the things that had just happened, one thing remained in his thoughts. It was the Inspector’s words, If those dead people were actually Nazi fucks, well they got exactly what they deserved!
Robert thought – with what he now knew, he could save the men he believed to be in danger… but being fully aware of what they were and what they had done – should he?
He tried to get up but couldn’t. The pain was unbearable. A few meters from where he lay, he saw a figure raise an arm. The face was blurry but he thought he saw the barrel of a gun. And before he lapsed into unconsciousness, Robert heard two shots fired.
* * * * * * * * * * * * * * * * * * * * *
The principal character alluded to first appeared in 2000 in a NY Times #1 Bestselling book.
The story you have just read, entitled “Chapter 52, page 624”, is intended to appear as a promotional preview excerpt of the (non-existent) book called “Buch der Arische Weisheit” referring to a fabled (fictional) Nazi book within the story itself. (I know this really won’t be a good title for a book, but whatever… I’m stumped, and I guess I’ll just replace it with a better one when “it” comes to me). No other chapter prior or thereafter comes.
A couple of names were nods to an unrelated film franchise (can you guess which ones? and from where?) but any resemblance to actual events, places and persons, living or dead, portrayed above, is pure coincidence as these are mere plot devices prevalent in pop culture and conspiracy theories I have stitched together.
This fanfic was written (or was just an outline) a few of years ago and have been gathering digital dust in draft limbo both in my hard drive and wordpress. It slowly got revised, reworked, rewritten, edited and re-edited up until yesterday, I swear.
Thanks to my sister, Anne, for lending a fresh pair of eyes.
The sketches for the ambigrams were created almost simultaneous with the story, and vectorized with CorelDraw then manipulated with Photoshop for the final presentation.
A “final” version was submitted to the Villains Ambigram Challenge over at ambigramsrevealed.com in late 2013 with the ambigrams laid over this very nice image I downloaded from iStockphoto (The last image above). The resulting image is supposed to convey the fall of the Nazis after the war, when all their propaganda posters were one by one being torn down.
While trying out ways to present the ambigram, I was fortunate enough to have stumbled upon this amazing website called psdcovers.com. It’s basically a website that allows you to download Photoshop Action Scripts for use as mock-ups or comps. And while I could have gone and set up my own way of “shopping” the cover artwork on to a photograph of a book for the mock poster, I felt I needed to try it out. And it was a very nice learning experience since I am not really an action script guy.
That’s all I have for this month, hope you all can drop by again when the next post comes up.
We were supposed to meet up at a fast food joint across the church near her workplace at 530pm. The plan was to take her to a movie, then to Sbarro at SM Annex where I would spill my guts – all or nothing, man. This had been building up from the day we reconnected, and my partaking of my father’s birthday celebration which falls on the same day would just have to wait till I get home.
Anyway, I got to Cindy’s beside Quiapo Church with about 45 minutes to spare… enough time for a last rehearsal of my lines which I had been going over in my mind since before I asked her out – three months prior.
But that much time did me no good as all I did until then was walk back and forth from the church and Cindy’s.
When the minute hand moved four minutes passed 530, I went inside and cased the place.
Nope, she’s not there. Maybe she’s just held up at the office or something. Mind you cell phones and pagers weren’t as easy or cheap to purchase then, and neither of us owned one.
Then 30 minutes went by and still nothing. Was I stood up? Had she changed her mind? (Of course, she did, why would anyone want to go out with you?) Did something happen to her? At this point I was so restless. I was sweating cold sweat. The vendors outside the fast food place were giving me strange looks. I might have heard someone snigger behind me.
Then all of a sudden it hit me. What a stupid@#*! you are, I told myself.
I began to run. Faster than I ever had before as I thought of every possible excuse for being late.
Fifteen minutes after, as soon as I got passed Sta. Cruz Church, I knew it was all over. I began to take shorter strides and decreased my speed to a walk. Heaving heavily, all I could do was curse myself as I stopped in front of Wendy’s.
Wiping my sweaty forehead I crossed the street to try and see if by any chance she’s still at her office. Just as I feared, nada. The gate to the office had already been padlocked.
I found myself standing at the Monumento bound platform of Carriedo Station of the LRT thinking maybe I should go over to her house and explain me stupidity, as if that’s possible – explain my stupidity, I mean. You just had someone a millennia off your league wait for you (who most likely felt foolish and frustrated standing by herself waiting for a great piece of work, like you) and no amount of pleading or reasoning can get you off that easy. Still I had to apologize and make up for this epic fail. Maybe I should put it off till tomorrow…
It was the longest 15 minute train ride of my life.
Running down Gotesco Grand Central, a thought hit me and I began to ran across to the other side of the mall and out the rear exit. I passed a small eatery that was owned by the family of her close friend. She’s not there. It almost felt as if that was a good thing.
I made my way towards the bus stop across MCU, and impatiently waited for any of the three speeding buses to come to a halt. And just my luck the most dilapidated of the three was my ride.
EDSA was not THAT crowded then, but this was weekend rush hour and at the rate I was going I’d probably reach Megamall nearly closing time.
It was a long shot but I felt like it was worth to try. If I am wrong, maybe she’d open up when I come knocking at her house. That is if her father don’t open up first.
Yup it was almost closing time as I ran up five flights of escalators. Upon reaching the final landing, I saw two of her friends casually talking while seated on a bench fronting Pinctada.
Acting as if I was actually supposed to be right there and then, I asked if…
And there she was….
(STOP. Can you picture this like that in the movies- where as cued by the main theme song everything goes in slow-mo… that’s what it felt like.)
And there she was….
Descending from the upper floor wearing this powder blue dress. Just like an angel.
It was too late to move my gaze away as her eyes met mine. Which kind of locked in simultaneously. Something was off with her face, though… there was surprise in her eyes, upon seeing me there after what has transpired earlier, I can tell but what I could not place was the smile on her lips. She was smiling… at me?
I did not even realize she was beside another friend until I was asked what I was doing there. I don’t recall having an answer for that. If there had been it’d have been something SO obviously made up. All five of us took the same five flights of escalator I took down and out the mall.
Awkward. How on earth was I suppose to apologize with three other girls at the wings. We might end up all taking the same bus home… But nope, Lady Luck smiled upon me – the other girls took a bus with a different route.
I ushered her on board the bus bound for Bayan, Malabon, where I began recounting (to her amusement) my stupidity and how, with my great deductive prowess, I was able to catch up with her. I could not remember anymore what we talked about on the bus. I was too busy feeling the moment.
It was 1230 when we got to San Bartolome. Both very hungry at this point, we went to the nearest store – Pizza Hut.
We were ushered to a table in the second floor since all the tables below were full. There was no one around. (Actually, I remember all the chairs were upturned on top of most tables.)
I ordered for us both, and since a pizza order takes about half an hour to be served… (after the service crew went down) I threw caution to the wind…
This took place 21 years ago today with a girl who now share my name. Yup, ditching my father’s 52nd birthday celebration hours earlier, was well worth it.
* * * * * * * * * * * * * * * * * * * * *
On another note… I am back.
It has been 18 months since I last visited this small corner on the internet (for more immediate priorities which I wouldn’t concern you with anymore). Boy, have I missed it very much. Hopefully, I get do a lot more of writing and ambigramming before I go on another “season” hiatus.
On my last entry I said that “The next few issues will be worth it.” Well, I hope my new season premiere piece lived up to that promise. Until next time.
I am dropping four “A”- bombs today. This is to make up for
nearly (okay…, over!) a month of neglecting this space. So, bahala na…, I’ll be starting off with…
BATHALA is a Tagalog deity worshiped by the pre-Christian Filipinos whose mythology still remain intact even after 300+ years of Spanish-brought Catholicism.
Belief in Bathala, whose name is derived from the Sanskrit “bhattara” (noble lord), came by way of Indian traders most likely via south-west of the archipelago. ( I just learned that in Indonesia, Batara is a traditional reference to a male deity.)
The creation of all life is attributed to him by the Tagalogs (a Filipino ethnic group) and is believed to be living in kalawakan (heavens; or more like somewhere over and beyond the clouds), similarities he has with the Christian God which the Spanish friars used (exploited) in converting the natives. Thus the term Bathala became synonymous with God, however, the more common Filipino translation for God is Diyos (from the Spanish: Dios). Note that our ancestors, being animists as well, believed Bathala dwelt also in the trees, in rivers, in the air, even in rocks and mountains.
The somewhat fatalistic Filipino idiomatic expression “Bahala na” (which could mean: “God will provide”; “come what may”; or even “whatever”) is derived from Bathala. It’s a coping mechanism in times of uncertainty, where one cast all care aside and leave (and accept) his fate at the hands of God … Or where one rest his well-being on someone else, as the terms: bahala (take charge) pamamahala (governance) pamahalaan (government) all can be traced back to Bathala.
The piece above, along with the next two, were submitted as entries to an ambigram challenge over at ambigramsrevealed.com. Edited background used in this piece was from psdgraphics.com, check them out as they’ve got loads of free stuff for downloads there.
NOT the Marvel superhero but the Norse god to whom the same comic character was based upon. The character style was inspired by the History Channel’s Vikings series. And it was around that time (after completing season 1) that I made the initial drawings. A major design decision I had to make was to go with a central “O” or an “H/O” flip. I thought that former would be more of a challenge (and prettier ;-)) so I went with it. I will admit that I had doubts on the legibility of the ambigram as even my trusty audience had a long and hard time deciphering the word.
While the ambigram itself was done for some time now, only until the challenge came out did I decided to “finalize” it with Photoshop. I added the weave pattern, basically, to emulate those that are found on Mjolnir trinkets and other Nordic items. I would’ve wanted to add blood spatter on it but thought it’d be too much.
MedusaThis piece is a gorgoneion. In ancient Greece (I read) warriors were said wear these kinds of amulets on their shields (and even on door panels) as protection or something to ward off harm. Though usually depicted with a disembodied head facing the spectator, I opted to go top view showing only the “snake-hairs” as they slither in and out beside one another. Then I finished it off looking as if it was carved on a marble slate.
There were a couple of other ways (I found) to doing a Medusa ambigram- but this way (a chain ambigram), I thought, suited my intentions.
and lastly, Maharlika.
Now, Maharlika is not a mythical character like the three above. Owing to its Sanskrit origin, “maharddhika” meaning, a man of wealth, knowledge or ability, it has come in modern times to be defined as nobility. During pre-colonial Philippines, however, the Maharlika were of lower class of nobility that served the lakans, datus, or rajahs in times of war, they were the warrior class. Above them were the freemen called Timawa and on top of the hierarchy were the ruling class called Maginoo ( the lakans). At the bottom were the Alipin.
I included this ambigram in this post because it was created with the same character style as with Bathala. Since both words were of Sanskrit etymology, I thought it would be appropriate to use the same character style. The Maharlika ambigram was created just a couple of weeks ago, after I started redesigning each glyph of the Bathala ambigram into an actual functioning CG font (which is still a long ways from getting published).
Below is a comp of the sketches and initial design exploration of all four ambigrams featured today.
Please check out my new website http://imagefoundry.wix.com/imagefoundry
Today my younger sibling gets a year wiser (weh… ‘di nga?). So this post is dedicated to her. This is her anne-bigram.
My original intention was to create a stacked reflective ambigram using her full name. Anna on top of Maria all over Adona. But somehow this sketch was left on the bottom of the pile of my to-do list so I had to do a quick one with her preferred nickname.
The ambigram on top was created with CorelDRAW using the ever trusty type: Blackletter. You really can’t do wrong with Blackletters when doing ambigrams. Add a couple of decorative floral patterns and Voila! A simple name ambigram to give your sister as gift on her birthday!
Have a nice weekend and do check back in.
This piece is a tribute to the painting with the same name by Juan Luna that is housed in the National Museum of the Philippines. Luna entered this massive 160″ x 280″ oil painting at the Exposición Nacional de Bellas Artes on 1884 that yeilded the first (of three) gold medals awarded. Fellow painter Felix Resurrection Hidalgo’s Virgines Christianas was awarded a silver medal at the same expo prompting Jose Rizal to cite their win as proof that Filipinos and Spaniards were equals.
The painting’s depiction of the chamber beneath the Roman Colosseum where bodies of fallen gladiators are being dragged and stripped of possession to be auctioned out to the mob is an eerie mirror of the conditions of colonial Philippines.
After I have finalized the ambigram, the next step was to find a suitable presentation vehicle. It was a “no-brainer” – it’s going to have to be a painting. It took me a while to compose the painting: at first, I actually started painting on canvas, but sometimes to depict a painting, you don’t need to paint (the way ice cream commercials don’t actually use ice cream). The image above is comped from images of patching compound (masilya) on concrete of my prepped but unpainted wall plus some old paintings and canvas material (from way back!) so tecnically, painting pa rin. 😉 Additional coloring and canvas textures were Photoshopped.
The Juan Luna ambigram was digitally painted over. So, unlike the spoliarium ambigram, it’s freehand.
I have been to the National Museum when I was younger but I can’t seem to remember seeing the Spoliarium, so I’m going back there and spend time on it as much as I possibly can really soon. I hope you too can experience it.
You can feel it in the air!
This would have been a perfect time to showcase my favorite piece, but I made an agreement to refrain from posting said design anywhere in cyberspace (at least until after March, ;-)). In lieu, let me indulge you with three lovelies, two of which i submitted last year for the “season” challenge at ambigram.com.
This first one was good enough to have been given recognition. If I remember right it was Daniel Dostal who blew us all away with his awesome (AWESOME!) work.
I don’t really know to what category this ambigram falls under, but I initially only intended to do the central “noel” , then I found out I could easily link all other glyphs to form a chain mesh. (So is this a chain?) And in hindsight, I feel I should have made the “o-e” caps. Anyway, it sure made for a nice gift wrapper last year!