On an ordinary day, while working on a mundane ambigram for a personal project of questionable significance, I somehow unlocked an achievement… with a pretty unremarkable word.
Hello. Welcome back! It has been a while. Appreciate you dropping in.
Recently, I have had the pleasure of creating personal milestone ambigrams, most notably chain ambigrams – and the moment I got the hang of it, the once thought of as an arduous exercise became my second go-to experiment once the basic rotational won’t/don’t work. As exemplified with most of my newer ambigrams are chains.
One that I am very proud of is something I thought I could never come up for a long time is my Aquaman totem ambigram. A totem amb is basically a mirror amb with glyphs stacked on top of each. I never set out to do it as such and it’s obvious with the amount of sketches I produced leading up to the final AHA! moment. What makes my Aquaman totem unique is that it doesn’t really look like an ambigram. You’d think I just typed the characters on a single row and aligned it center… until you get to the “N” where it becomes clear that it’s definitely contrived.
Which leads us here. Another serendipitous creation. A spinonym at that.
A spinonym is an ambigram whose individual characters are flipped and/or rotated and/or skewed and/or inverted instances of a single glyph. In other words it’s the same “letter”.
Example: while the letters W and M could be just inverted versions of each other, the letters E and B (or the number 3) could just similarly be. However, for it to be categorized as a spinonym ambigram, they all could be represented by common glyph, perhaps like McD’s double arches, say for the word “WEB” or “MEW” (or “MEW3” if you are into evolving Pokemons).
As stated above, I was developing a thematically unrelated ambigram. The word was “games”. I was doing it directly on the PC referencing a minimalist sketch with the intent of arriving with a minimalist final art.
I have done a few G/S flips which while doable, sometimes could be tricky. The A/E flip on the other hand was relatively an easier task.
But wait, let me go on a tangent first, this is relevant to my process. Thanks. When I do types, I will most likely duplicate, chop off an reuse parts and instances of a glyph I find both pleasing and crucial to the final character design. It’s usually the letter “I” but could be any other that’ll be the foundation for all succeeding glyphs. This accelerates the design process and make the final design uniform. I do the same for my ambigrams.
So, after I ended up with a G/S glyph to my liking, I made a duplicate to be tinkered with. I flipped the “G” horizontally in preparation for the A/E glyph deciding to work on the “E” face first. The AHA! was immediate. Didn’t even have to chop anything off. I excitedly moved a few nodes in place and there it was. All it needed now was the “M”.
Shorter tangent: I had previously created a monoweight ambigram piece called “HUMAN”, so coming in I knew I’d be doing the “M” in a similar fashion, just three vertical lines with the middle shortened.
Done! Now I was only looking for stray nodes when another AHA! came. Was I that slow? Haha!
I again created an instance of the A/E glyph, reworked it a bit and arranged them to form: SAGE. No AGES. wait let me add…
Ladies and Gents, SAGES, my first spinonym.
Since, it was intended for a different word, I think the character design is a bit off for this specific word configuration, but it’s perfect for “games”.
While I’m glad I got another amb type for my folio, it’s the process of creation that got me most excited – even if it’s by accident. And that is why I’m going to try and purposefully design a spinonym with a character design befitting the word in the coming days.
Because the previous issue was practically just a reprint of an old write-up, I’m putting up this second post for this month. And it’s one flashy ambigram.
This one is has been gathering digital dust for over a year now. I cannot recall which came first, this one or my “Big Bang” piece, but you can see that I have similarly utilized the B/G flip. Just as much, I don’t remember what inspired me to create this, or what was the lead up to it, but I recall being excited after having figured out out the LI/N solution more than the B/G.
I love how whimsical this ambigram look, beginning with the letterform right down to the inlaid mesh – which took me a damn long time to get just the way I like it!
Unfortunately, that’s all I have to say about the piece… I love it, I damn like looking at it but other than that I got nothing!
So see you next issue, then!
Created by Jim Fernandez in the ’70s, this demigod is the spawn of the Aztec serpent god Kukulkan. This bald, green hulk of a monster’s most prominent features are the two constrictors protruding (about a couple of feet) from either side of his shoulders.
Regarded more as a villain, he enjoyed a considerably extensive publication that has spun off a couple of series in its heyday, was adapted into films, and had its revival in print a few years back.
When I first featured the “Darna/Narda” symbiotogram, I never thought I’d get to make a follow-up issue, much more a third! I’m glad that should this be the last Filipino comic character I ambigrammize – (hopefully not), at least I capped it off with a sort-of-trilogy (XD). To think while “Panday” was published first, “Zuma” was conceived earlier – only that I was not satisfied with the first iteration, so it got pushed further back.
This piece was finished last year after a lot of tinkering with the main glyphs and the final image itself, about the same time another ambigram piece (based on a more internationally well known literary classic which will definitely be featured here sometime soon) was done.
Unlike the two previous “Komiks” feature’s isolated overlaid rendering, I decided to set the ambigram as a stone relief, emulating those artifacts found in the famed 16th century Mesoamerican sites.
But, it wouldn’t be much of a series if I don’t set this image on the “Komiks” page background… so here it is.
I’ve also included the progress sketches and final line art, so you could get an idea on how the design evolved from a possible mirror ambigram solution to its current rotational interpretation.
Finally, I’d like to acknowledge a couple of creators whose work I used to enhance mine. Although Pixabay says no attribution is required, yet it’s the least I could do when they’re absolutely free – even for commercial use!
Yes, it has been a while.
To make up for the long absence (or at least try to), this feature is a special one. It is called Tempus Fugit.
Finalized in a stylized Blackletter Type, this is not my first remake of an previously created ambigram. But this get to be the first to be showcased. The first iteration of this design, created about five or six years back, was more Script in form, though similarly a chain-type ambigram.
While I was very much happy with my first take on the phrase, it was pretty obvious (to me) that I could improve on it – didn’t know how or what, but I was positive a better version could be done.
After a whole lot of sketches over time, I thought I made a breakthrough last year and fired off my CorelDraw. Took maybe four days shuffling back and forth with Draw and Photoshop to get to what I consider to be the final ambigram.
However I might take the ambigram further by incorporating it with a steampunk sculpture I have been meaning to do – soon as I find a way to punch it out of a metal sheet.
But in the mean time, we’ll just have to make do with a vector file.
Along with a photograph of the original ambigram in a real world application made in 2014, please be amused by my #taketwo on Tempus Fugit.
While I like the television series very much, I do not consider myself that big of a Game of Thrones fan or A Song of Fire and Ice for that matter, having yet to read any of the books, but I know enough to get me through the mythologies and politics per season – I think. Up until season 3, I mixed up who’s who, mistakenly renamed and mispronounced a lot of the places and characters in the show – except probably the main ones and Hodor, I always get Hodor right.
Going through Youtube season 6 trailer reactions a couple of weeks back, I began scribbling what I thought to be an easy flip – Lannister. From a simple monotype sketch, I began constructing from previously created Blackletter characters on my PC the first iteration of the ambigram, which was finished just as soon as started with it.
After that, came Stark, which was also easy. I would have left it at that if – I thought – Baratheon turns out to be a hard flip using the same glyphs. But it wasn’t that bad… so I pushed on.
Main concerns that I had to think around with were making enough distinction between capital and lowercase T and the varying nuances of the Ls and the Rs with respect to their correlating flips. As much as possible I don’t like mixing up caps and lows but with Baratheon I had to let it slide, because using a lowercase r will force me to use a lowercase T with the crossbar at the center or a lower case T glyph with crossbars at both end, which to me did not look good either way.
At the last minute I changed up the e/a flip of Lannister as well as the a/r combo of Stark to retain a streamlined face where all the characters look fairly the same throughout the set of ambigrams. All in all I thought the hardest one to pull off was the u/ll flip of Tully, but I thought I made enough compromise to make it work within the “constraints” I set in place.
And with that I present my Game of Thrones ambigram set.
And lastly… you may find it interesting that the last piece created (and I had thought of making) was this Game of Thrones ambigram, below, seemingly counter intuitive since it’s the show’s title and would make a great capper. With most of the characters and glyphs done it was a fairly quick edit. The main puzzle to be solved were center characters but largely what to do with the capital T. Incorporating the fleur de lis was a clever (or at least I thought it was clever) solution which wouldn’t be too much out of place since it’s found in the other pieces that kind of ties it all nicely together.